Classical Music for Brain Power – Mozart Effect

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CLASSICAL MUSIC FOR BRAIN POWER
MOZART EFFECT
Wolfgang Amadeus Mozart

01 Ascanio in Alba, K. 111: Ouverture 00:00
02 Lucio Silla, K. 135: Ouverture
I. Molto allegro 03:27
II. Andante 07:17
III. Molto allegro 10:04
03 Eine Kleine Nachtmusik in G Major, K. 525
I. Allegro 11:44
II. Romanza. Andante 17:47
III. Minuetto. Allegretto 24:25
IV. Rondò. Allegro 26:51
04 Flute Concerto No. 2 in D Major, K. 314
I. Allegro aperto 30:04
II. Adagio non troppo 38:09
III. Rondo. Allegretto 45:52
05 La Finta Giardiniera (“The Pretend Garden-Girl”), K. 196: Ouverture 51:33
06 Symphony No. 36 in C Major, K. 425 “Linz”
II. Andante con moto 57:38
III. Menuetto 1:05:06
07 Symphony No. 41 in C Major, K. 551 “Jupiter”
II. Andante cantabile 1:08:21
IV. Molto Allegro 1:16:40
08 Flute Concerto No. 1 in G Major, K. 313
I. Allegro maestoso 1:25:35
II. Adagio – Allegro ma non troppo 1:34:39
III. Rondò – Minuetto 1:44:09
09 Bastien und Bastienne, K. 50: Ouverture 1:51:54
10 Symphony No. 40 in G Minor, K. 550: I. Molto allegro 1:53:52
11 Piano Concerto No. 21 in C Major, K. 467
I. Allegro maestoso 2:02:05
II. Andante 2:16:35

# 1, 3 & 9: Opole Philharmonic Orchestra conducted by Werner Stiefel
# 2, 4-7, 10 & 11: Orchestra da Camera Fiorentina conducted by Giuseppe Lanzetta
Flute on # 4: Andreas Blau | Piano on # 11: Jörg Demus
# 8: Ubaldo Rosso, Opole Philarmonic Orchestra conducted by Silvano Frontalini

The term “Mozart Effect” was first coined in 1991 by Alfred Tomatis, who used Mozart’s music as the listening stimulus in his work attempting to cure a variety of disorders. The approach has since then been popularized in Don Campbell’s book, “The Mozart Effect”, which is based on an experiment suggesting that listening to Mozart temporarily boosted scores on one portion of the IQ test. Hence the idea that “listening to Mozart makes you smarter” and that if children or even babies listen to Mozart they will become more intelligent.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical era. Born in Salzburg, he showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, operas, and portions of the Requiem, which was largely unfinished at the time of his death. He wrote more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote: “Posterity will not see such a talent again in 100 years”.

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